by, marlene cronkhite
This may sound a little crazy, but as writers, when you think about dialogue as simply giving a voice to the different characters living inside your head, writing then becomes an exciting journey and very rewarding.
The characters we create come from somewhere inside us, in all that we are, and all that we know. When we create our characters from within, the act of writing dialogue becomes uniquely individual. Usually the characters lead the way and help “show” what they are doing. By this I mean their actions express how they feel and what they’re thinking. Another important aspect is to not force characters to tell each other matters that each one already knows, just so the reader will be clued in. This is an obvious trick that the reader is sure to pick up on.
In order to write good dialogue, you need to hear those characters speaking in your head and capture their voices in your story. Make their voices unique by making sure that they speak according to their backgrounds. Show how your characters react or feel by the using description of their voice quality and physical movements.
The use of “said” and “asked” are the only tags you need. The reader needs just enough information about who is speaking to be able to move ahead in your book. The tags should melt into the background of narrative, not depict the scene or your character’s feelings. Try to stay away from dialogue tags like: replied, voiced, expressed, vented, responded, cried, howled, bellowed, shouted, vocalized, asserted, declared, whispered, stated, uttered. These tags can botch up an otherwise wonderful, rich story. Make your character’s dialogue razor-sharp and you won’t even need tags.
You can easily create tension in dialogue when you create dynamic characters that are outspoken and driven. Tension, one of the most important factors in fiction writing, gives the reader a sense of urgency and keeps him turning the page.
It’s probably best to avoid using dialect all together when writing dialogue. It is difficult to read and if it’s not done just right it may sound amateurish.
The “umm’s” and “ahhh’s” in dialogue and what he bought at the grocery store can be pretty boring stuff. Stay focused on your exciting plot/storyline. Keep your dialogue vibrant and alive so you don’t put your reader to sleep in a state of monotony.
A good way to test your dialogue is to read it out loud.